Radiohead a Moon Shaped Pool Album Art Chance the Rapper Coloring Book

Lemonade - Beyoncé

In keeping step with the infamous surprise release of her 2013 self-titled album, Beyoncé released Lemonade this twelvemonth with little warning. Paired with a sixty-minute picture show, Lemonade is a powerhouse of a pop album that brings together rage, revenge, discovery and self-balls into 12 incredible songs. These themes are channeled into a strong and poignant statement on black femininity, serving as both an affidavit to the struggles of black women in America as well as a protestation-piece to an America that is largely unconcerned with these struggles.

Stylistically Lemonade is all over the board, featuring elements of hip-hop, soul, R&B, blues, rock and country-western. In the midst of this smorgasbord of sound, Beyoncé'southward commanding voice remains the constant and connective thread that holds the whole thing together. Given the weight of its themes and its precise execution, Lemonade will surely become downwardly as ane of Beyoncé'southward well-nigh provocative and compelling statements.
Jordan Petersen

Coloring Volume - Chance The Rapper

Chancellor Bennett has had a breakout year since landing a verse on Kanye West's The Life Of Pablo opener "Ultralight Beam." Chance immediately reflects the karma on his third mixtape with "All Nosotros Got," a steady edifice, bombastic anthem featuring vocoder groans from W. The anthology rides a wave of gospel passion into summer hit "No Trouble" and beyond.

Throughout Coloring Book, Take chances commonly alludes to complex Biblical stories such as Israel wrestling God every bit extended metaphors for his own faith, racial identity, and new fatherhood. The album manages to cozily couple a reprise of the popular worship song "How Not bad is Our God" with guest appearances from mainstream hip-hop greats like Lil Wayne, Future, and Young Thug among many others. Hazard's dizzying wisdom and conversations with God maintain a charm and optimism in a fourth dimension when a blackness male child from Southside Chicago has plenty to be upset about. Hazard says it all-time in his curtain telephone call "Blessings": "They never seen a rapper do modesty." It'south probably the only gosh-darned tape featuring ii Chainz that your youth pastor would endorse.
Cotter Koopman

A Moon Shaped Pool - Radiohead

Radiohead released A Moon Shaped Pool in 2016 afterwards thirty-one years of being together. They take proved themselves to be crumbling gracefully. The songs on A Moon Shaped Pool accept been described as some of the band'south virtually melancholy, beautiful, and pensive. Radiohead recorded much of the album with the London Contemporary Orchestra, combining their electronic art-stone with gorgeous cord arrangements written by guitarist Jonny Greenwood. AMSP is colored by lyricist and front man Thom Yorke's recent split with his partner of twenty-three years, but doesn't limit itself to autobiography. Radiohead is no stranger to being political, and their perspective on AMSP feels downright clairvoyant. Global information streams have never been more open up, and information technology's becoming harder and harder to ignore humanity'southward ugliness: In the apocalyptic "Decks Dark," Yorke sings, "You run to the back and you cover your ears / it'due south the loudest sound you've always heard / Nosotros are helpless to resist / Into your darkest hour."

2016 saw bodies of those fleeing civil state of war washing up on the beaches of the wealthy and indifferent. Global CO₂ levels exceeded 400ppm for the first time in human history. Politics of hate and fright won in the United Kingdom and United states of america; Brexit and Donald Trump are not going away. AMSP reflects on these cataclysms maturely and thoughtfully, simply is never complacent or staid. Many of the songs incorporate some sort of commentary, though it can be cryptic to whether Yorke is addressing the public sphere or a jilted lover. In standout runway "Present Tense," Yorke coos, "In you I'm lost." He may be suggesting unifying love or defeated alienation. A Moon Shaped Pool is textured, human, and worth poring over for months to come.
Matthew Schepers

A Seat at the Table - Solange

Solange Knowles released her third album, A Seat at the Table, in late September, after much anticipation from her fans and peers. With 21 tracks, listening to A Seat at the Table may seem similar a laborious task. However, it's surprising how quick the album is from starting time to terminate. Each song flows seamlessly into each other with interspersed interludes featuring wisdom from her parents and famed New Orleans rapper Master P. Laced with funky beats (cheers to Raphael Saadiq) and beautiful R&B harmonies, this anthology is a jig from beginning to terminate.

Of course, she faces the inevitable comparisons to her sister, but Solange has always been in her ain lane. A Seat at the Table is no different. The stories told are unique to Solange, but still give Blackness people, and Black women in item, a special kind of solace and cultural reverence in the face of racism and sexism. The vocal "Cranes in the Sky" speaks to the depression many of us deal with and the ways we've tried to "set" information technology without seeking help. Nosotros endeavor to "drink information technology abroad," "work it abroad," or nosotros "run effectually in circles trying to keep ourselves busy."

Solange wrote, composed, and bundled this entire project over several years, only information technology is however timely. Although the past few years have seen several projects from Black artists in the pro-Black vein, I still think A Seat at the Table is of import. It shows that we accept the correct to experience every emotion associated with years of corruption and that we tin still be great. A Seat at the Table takes a more therapeutic arroyo to pro-Black music than albums like D'Angelo'south Black Messiah, just there is non simply one way to exist pro-Black. We can yell, or nosotros tin can weep, and both approaches are valid and necessary.
Elyse Loma

Blond - Frank Ocean

Emerging from his Tumblr cavern and shrouded in myth, Frank Sea released the long-delayed follow up to 2012's Channel Orange. Blond is a more than afar collection of songs than Channel Orange was, but that is non to say that information technology is less engaging or impressive. This time effectually, Frank opts for mood and atmosphere over balladry. Across 17 songs featuring dreamy guitars, synths and organs, Frank creates the wistful sounds of his beloved-yearning mind. Well-nigh of these songs are not for the dramatics of heartbreak or new honey, merely rather for the more ambivalent and tranquillity spaces in betwixt.
Jordan Petersen

Puberty two - Mitski

With her fourth anthology Puberty two, Mitski cements her place at the forefront of the indie-rock scene. Her music, previously characterized by folk influences, at present features louder and heavier guitars for a more firsthand rock sound.

Mitski'south Puberty 2, a spiritual sequel to her 2014 album Bury Me at Makeout Creek, is a securely personal album that ponders the complexities of early adulthood through her instrumentation and intricate lyricism. She laments the fact that she cannot to be content in this stage of life and mourns her loss of innocence. In the song "My Body's Made of Crushed Little Stars," Mitski wails on the guitar almost her disability to "pay rent," while all she wants to do is "see the whole world." The sadness she experiences in adulthood is kept at bay by routines, and the anthology reflects Mitski'southward search for identity as a Japanese American developed.
Jenna Van Donselaar

Blackstar - David Bowie

On his birthday in early January, only days earlier his death from cancer, David Bowie released his 27^th and last studio album, Blackstar. This anthology over again confirmed Bowie's genius as a vocal-crafter and storyteller, and likewise worked prophetically and (some may say) autobiographically, as it discusses the decease of a hero. Through the years, Bowie—who has had immeasurable influence on popular music and American culture in general—turned sixty-nine this year but never lost his innovative fervor or precise ability to craft stories and moments in word and audio. The album, which, at times, bluntly discusses death and the afterlife, is not just worth listening equally the last album past a pillar of stone and gyre, simply is a powerful, confident, and fitting determination of Bowie'south legacy.
Mike Lentz

Teens of Denial - Machine Seat Headrest

Motorcar Seat Headrest's Teens of Denial is the culmination of Will Toledo's well-nigh dozen independent EPs and albums. The first LP under the Matador record label, Teens incorporates popular hooks and more than production without losing the low-fi punk rock sound that was the foundation of Toledo's early piece of work. Tight guitar piece of work, dynamic vocals, propulsive drumming and blasting contumely keep the tape energized throughout. His audio may accept changed, simply the brutally honest lyrics he is known for remain. Toledo lives in a world of depression and self-medication; he explores these situations bluntly. Teens comes at a time when indie rock is waning and the "white male child" ennui is fully setting in. Instead of combatting this reality, Toledo capably searches for his place non only in the music sphere, but also this unforgiving globe.
Derrick Kamp

We got it from Here… Thank Y'all four Your service - A Tribe Called Quest

Similar the cool dads of hip-hop, A Tribe Called Quest returned with an acute awareness of their place in music today as they released their terminal album, We got it from Here… Thank You four Your service. Rather than merits any sort of crown, the rap group set out to practice what they have been known to do, and then did it even better.

Each song on the anthology focuses nigh exclusively on the rhythm and the rhymes, taking a no-frills approach to production and restoring a once mutual rap grouping aesthetic. There'southward a competitive nature to this format, equally each spotlighted poesy attempts to out-exercise the final and it is a pleasure to listen to these masterful MCs slingshot back and forth.We got it from Here… feels so natural and communal that it'south equally if A Tribe Called Quest threw a political party and the listener somehow snuck in. And while they are having fun, A Tribe Called Quest is unafraid to become political, covering topics such as gentrification and bigotry while poking holes in the idea of a mail service-racial America. But who says throwing some of America's crap back in its face can't even so be a party?

We got it from Here… is a dorsum to basics hip-hop album that feels fresh in the varied state the genre is in right now. Those seeking an fine art-school experimentalism accept Kanye Westward; those seeking quotables and pop appeal have Drake; those seeking whatever Young Thug is currently doing accept whatever Young Thug is currently doing; and those seeking a straightforward and cutting hip-hop album got it this year from A Tribe Called Quest.
Hashemite kingdom of jordan Petersen

A Sailor's Guide to Earth - Sturgill Simpson

It doesn't seem like Sturgill Simpson got the memo about the pigeonhole that has been created for country music. Or he but doesn't care. Using the genre (with good for you doses of soul and psychedelic stone) to write about whatever he feels like writing virtually, Simpson turns any expectation about what Country music is on its head. This is certainly not "bro-country" and you won't detect any ideological mantras regarding faith or flag.

Instead, A Crewman's Guide to Earth serves as a letter of communication to Simpson's son based on his own experience. With this frame, Simpson mines the depths of his personal philosophies, reflecting on both the externalities and internalities that have shaped him. These reflections are political, spiritual and existential, featuring criticisms on United states armed services action, musings on God and an overlying awareness of bloodshed: All welcome challenges to the perception of gimmicky Country music.
Jordan Petersen

The Life of Pablo - Kanye Due west

Since his vocal debut in 2004 with The College Dropout, till 2013'southward Yeezus, Kanye West has been considered one of the most important and influential producer/artists in hip-hop. As his cultural persona threatens to implode, his music remains vibrant, interesting, and relevant, though it has begun to take on a paranoid and thin texture.

After several proper noun changes, release date changes, and fifty-fifty track changes mail-release, Kanye'due south near contempo anthology, The Life of Pablo, is the kind of sprawling, uneasy, notwithstanding confident record that somehow seems to be the most authentic musical representation of the person of Kanye Westward. This album has a gustation of everything a Kanye fan could want, with parts that sound like they could fit into any one of his past albums, yet all work together in this album. The anthology is mostly well-nigh Kanye reconciling with his ain celebrity, the means he'south seen himself change, the ways he's been frustrated past those around him changing, and his realization that, peradventure we are all vicious wolves. The Life of Pablo has moments of messiness, vulgarity, honesty, self-reflection, and perfection.
Mike Lentz

22, A 1000000 - Bon Iver

"Information technology might be over soon." Bon Iver's tertiary album, 22, A 1000000, opens with hope and optimism in kickoff rails "22 (OVER Due south∞∞North)." The following rail "x d E A T h b R Eastward a s T," the opening track's dire and sonically punishing foil, quickly launches into gloom. The Tao image of the yin and yang immediately comes to mind, with "22 (OVER S;&infin∞Due north)" and "10 d Due east A T h b R E a s T" representing light and nighttime, an essence of both skillful and evil, respectively.

22, A Million is centered effectually a crisis of religion that breaks artist Justin Vernon downward to his cadre. One but has to look at the anthology art to feel it: rife with Christian, Buddhist, Taoist and occult imagery, the album art makes profane what many agree to exist sacred: bodies hang crucified on telephone poles, and Bodhisattvas (individuals who defer enlightenment to help others on Earth in the Mahayana Buddhist tradition) are seen smoking weed. 22, A Meg's key thesis revolves effectually Vernon'southward internal struggle. Whiplashing between despair in "715 - CR∑∑KS" and euphoria in the bombastic "33 _GOD_," Vernon falls to temptation in "666 t" turns his life around while falsely hoping for enlightenment and inner peace in "8 (circle)," earlier realizing his ain damnation in the saxophone laden "____45_____": "I've been defenseless in burn… I stayed downwards." In the anthology closer, "00000 Million," Vernon finally gives in to defeat, a willful submission to pain and suffering: "Well it harms, it harms me, it'll damage. I let it in."

Post-obit Bon Iver'due south beautiful 2011 record Bon Iver, the securely personal 22, A 1000000 takes a plow to the foreign and the night, begging the void for even a pinprick of light.
Matthew Schepers

Freetown Sound - Blood Orange

One of the beauties of Blood Orange's Freetown Sound is that it does not feel required to give answers. "Usually when topics similar race or history or sexuality are discussed, there's a question or an answer or something…. I'm actually just thinking on this tape… I'thou just trying to go through these things," Dev Hynes tells EW. While many artists try to prescript verdicts on these complicated bug, Hynes is comfy with simply letting voices be heard. Hyne's vocals are featured on only half the tracks; the rest of the record features the voices of Zuri Marley, Empress Of and other women. Throughout the R&B-infused tracks, Hynes also weaves in sound samples. The opening track features poet Ashlee Haze declaring her femininity and much of the anthology features clips from the documentaries Black is…Black Ain't and Paris is Burning. "My album is for everyone told they're not black plenty, besides black, too queer, not queer the correct way," Hynes tells EW, "it's a clapback." Freetown Audio uses poppy synths and R&B-infused electronica as a podium for the voices of the oppressed to be heard.
Derrick Kamp

Blood Bitch - Jenny Hval

Norwegian artist Jenny Hval's latest album, Blood Bitch, explores a motif with a burgeoning history in popular-culture: menstruation. Her album is inspired past the goth/metal scene of Kingdom of norway, horror (and vampire) films, and of course her own experience.

Hval'south work, full of atmospheric soundscapes mixed with complex even so gentle melodies, is strikingly present to the listener. She excellently incorporates sounds of Norwegian metal throughout the album, particularly in "Female Vampire," only also more subtly throughout the anthology. The rails "Lorna" slows things down and features Hval'due south melodic voice, coupled with feelings of vulnerability. The album captures the emotions of the fear, vulnerability, and power of the female experience.

Equally a piece of fine art in the rich history surrounding musical menstrala, Hval does not shy away from talking about the fearful and abstract nature of the female experience. In an artist'due south statement, she called Blood Bitch "an investigation of... blood that is shed naturally... the purest and nearly powerful, nevertheless most trivial, and most terrifying claret; flow. The white and red toilet coil chain which ties together the virgins, the whores, the mothers, the witches, the dreamers, and the lovers."
Jenna Van Donselaar

Stage Four - Touché Amoré

At its heart, hardcore music has e'er been about honesty and Stage Four, the virtually contempo album by mail-hardcore ring Touché Amoré, is no exception.  Written later the passing of vocalist Jeremy Bolm'south mother, Stage Four tells the story of grief, heartache, and regret.

Touché sounds older in this album – lyrically wizened by emotion that only comes from loss while musically experimenting with clean vocals, managing these changes without losing the familiarity of Bolm'southward scream backed with heavy riffs.

Phase 4's lyrics are confessional and bold every bit Bolm seeks to understand his mother's life better, craving answers to the questions he never asked ("Palm Dreams"), struggling with still-present grief despite passing time ("New Halloween"), and the constant regret of beingness absent when she finally passed ("Eight Seconds").  However, while the record addresses hard subject field affair, information technology does not leave the listener in despair.  Past concluding with the song "Skyscraper," a cathartic and nostalgic ballad, Touché manages to exit the album with a glimpse of hope and closure, finding comfort in the retentiveness of a city.
Kendra Larsen

My Woman - Affections Olsen

In her 3rd studio anthology, Angel Olsen delves deep into the complexities of young adulthood, as she contemplates the remnants of a dwindling romance. Relationships are a major theme throughout the anthology; Olsen transforms heartache into autonomy, knowing at the end of the day that she has "nonetheless got to wake up and be someone."

The music itself draws upon an eclectic assortment of genres and influences. From the dreamy synth-pop vibes of "Intern" to the melancholy piano of "Pops," and everything in-betwixt, Angel's creative genius proves to be just as multifaceted and complex as the thematic content ofMy Woman. Olsen refuses definition from relationships or genres or otherwise.
Emma Carpenter

HOPELESNESS - ANOHNI

"Rage is a really fun place to dance from—expressions of anger sublimated into something cute are invigorating, especially if you feel like you're telling the truth," ANOHNI recently told Pitchfork in an interview.

ANOHNI, formerly known nether the name Antony and the Johnsons, released her showtime album nether the new name with HOPELESSNESS in May. The album, which includes collaborations from co-producers Oneohtrix Bespeak Never and Hudson Mohawke, is a collection of intensely political electronic dance anthems, each with a unique societal critique. "4 Degrees" mourns humanity'due south lack of environmental stewardship; "Drone Bomb Me" condemns the utilise of war machine drones; "Crisis" apologizes to the prisoners of Guantanamo and opposes the employ of torture. Each song is raw, questioning, and introspective, yet remains musically accessible, powerful, and invigorating. Thom Yorke once said in an interview with The Guardian that "In the 60s, yous could write songs that were like calls to arms … information technology'due south much harder to practice that now." ANOHNI has not only written ane successful phone call to artillery, she's written 11, and she'south compiled them together to brand upward the forty-one minutes that are, HOPELESSNESS.
Patrick Jonker

Ology - Gallant

Christopher Gallant'south debut album delicately balances respect for the passion of the by while experimenting with new styles in a time when the future of R&B is being pulled in many dissimilar directions. Ology maintains a cohesive tonal globe while exploring all its sparkling corners, betwixt dark and stirring anthems ("Weight in Gilt", "Bone + Tissue") to more tender ballads that ride Gallant's forever graceful and arresting falsetto ("Skipping Stones," "Miyazaki").

Gallant supports his sound with theatrics onstage: during his Leap 2016 show in Calvin'due south CFAC, Gallant often sprinted across stage while ripping through cathartic song lines. Even at his most acrobatic, Gallant never sounds like he'southward showing off. His articulate and candid dissections of his ain insecurities go on him isolated, echoing off the insides of his own head. With his voice e'er at the forefront, Gallant plays in new sonic territories, while always maintaining sincere roots in archetype R&B, and proving he's worth his weight in gilded track subsequently track.
Cotter Koopman

Next Thing - Frankie Cosmos

Greta Kline, the creative person behind Frankie Cosmos, is still mourning her childhood domestic dog JoeJoe, who features in many of her music videos and album art. To fill the picayune dog-shaped pigsty in her heart she's come up to be on a first-name footing with Instagram personality Marnie the Dog, even being asked to DJ the decrepit Shih Tzu's Bat Mitzvah. Frankie Cosmos is the most fun artist in my iTunes library, and Next Matter is my jam.

The songs on Side by side Affair are lo-fi indie popular, guitar-driven and filled with up-tempo drum parts and warm synthesizers. Most of the album was written when Kline was 16 and rerecorded and released as an album five years later. The funny thing is that naught has really inverse since and then: in Kline'southward world, we're all simply awkward kids who somehow constitute themselves in adult bodies. Sometimes you'll have overwhelming regret regarding a lost opportunity for making out, sometimes getting together with friends on a Sunday dark will be amend than heaven, and sometimes y'all'll simply wish you had a dog.
Matthew Schepers

Heavn - Jamila Woods

Two days later on Alton Sterling'south murder, Jamila Forest released her album, HEAVN, on July 7 of 2016. The anthology equally a whole is nigh black girlhood and Woods' experiences growing upwardly in the city of Chicago. On "VERY BLK" Forest describes blackness equally "magic" and a "spell," a celebration and curse of the culture and oppression associated with her skin. The chorus' tune brilliantly plays off the traditional children'south rhyme "Miss Mary Mack," a seemingly pleasant arrangement juxtaposed to words alluding to the violent deaths of black lives this summer. In so doing, Woods captures the "magic" human activity, as blackness lives must unwillingly participate in a specific violence and grief only they know. It is a stage prepare by an audience of Americans who do not understand the sorrows often placed upon blackness. Woods also celebrates the "secrets" of black culture as a adult female at the end of the vocal describes her joy in playing the game "Popsicle" with other black women in the midst of confused white coworkers.

"LSD," which features Take chances the Rapper, alludes to the torso of Lake Michigan in relation to Woods' own body. It dares her audience to question her identity of self and place when she says, "My city like my skin/ it'southward then pretty/ if you don't like it/ just leave it lone." Similar its championship, the album searches a life across suffering. "Chicagoans create this sense of heaven in the midst of tragedy in the midst of injustice in the midst of hurting, life goes on all the sudden, because what else can we practise?" the stop of the vocal says. HEAVN is an album that solidifies and hopes for a earth of beauty despite the suffering of racial oppression.
Ale Crevier

No Burden - Lucy Dacus

"I don't wanna to exist funny anymore," Lucy Dacus sings in the opening track of No Burden. Despite these words, the dejection/stone vocalist-songwriter can't seem to help herself from delivering insightful lyrics wrought with a dry and witty sense of sense of humour. "I thought yous'd hit stone bottom/Just I'thousand starting to recollect that it doesn't be/Cause you've been falling for and then long/And yous haven't hitting anything solid yet," from the track "Strange Torpedo," demonstrates the artist's flair for pithy ane-liners. Still the lighthearted humor ofNo Burdenis juxtaposed with its solemn deadpan execution and a mood somewhat reminiscent to that of Julien Bakery inSprained Talocrural jointor Daughter inNot To Disappear. The narrative ofNo Burdendescribes a young woman navigating early on adulthood, trying to find herself in the midst of her social surroundings. Full of insight and introspective ponderings,No Burden makes it clear that Dacus intends to exist taken seriously, thankfully while retaining her sense of sense of humor.
Emma Carpenter

Sirens - Nicolas Jaar

On his sophomore album Sirens, Nicolas Jaar works in contrasts. The album shifts between calm, atmospheric tracks and pounding, post-punk songs—each track flowing into the next and juxtaposing the last one's audio. His sonic manipulation and musicianship solitary are enough to carry the record, yet Jaar's hitting political lyrics add another layer of depth. Jaar, a Chilean, uses this anthology to reflect on the past Chilean dictatorship of Augusto Pinochet and assess the current state of the American sociopolitical climate. His critiques are biting, yet he still expresses hope in this tumultuous political atmosphere. Sirens, full of rich and various sounds, is a political record from a new perspective.
Derrick Kamp

Malibu - Anderson .Paak

Prior to releasing music under his new name, Brandon Paak Anderson saw both his parents go to prison and was homeless for a time with his wife and son. Throughout this 60 minutes-long anthology, Anderson .Paak details familial and personal struggles with wisdom and honesty. Instrumentally, the album is reminiscent of Kendrick Lamar'southward To Pimp A Butterfly, as it steps through decades of funkadelic, soul, gospel, and hip-hop, featuring recordings of conversations and always maintaining tight, booming drums. As a professional drummer, .Paak often provides these drums himself, rapping and singing from behind the kit. .Paak's uniquely raspy voice is simultaneously sly and comforting, as he speaks with artlessness virtually his upbringing. The anthology'south extensive breakdowns get out ample breathing room to marinate in invitee appearances and nostalgia. On the album'south drapery call "The Dreamer," Paak sings "Who cares your daddy couldn't exist here / Mama ever kept the cable on / I'one thousand a product of the tube and the gratis lunch / Living room, watching old reruns." The entire anthology presents .Paak as a living testament of glory and positivity from hard atmospheric condition.
Cotter Koopman

Goodness - The Hotelier

The Hotelier'south third LP Goodness serves equally an honest reply to the band'south seminal 2014 record Home, Like NoPlace Is In that location. While Habitation maturely estimated the emotional toll of a tumultuously painful young life riddled with the attempted suicides and deaths of friends, cleaved families, and an overarching narrative of loss, Goodness is, appropriately, an fifty-fifty more than mature tape. The focus shifts to an embrace of mystery, coupled with an hostage pursuit of wholeness. Jagged, racing guitars and screaming vocals are exchanged for an all-together less urgent tape.

The Hotelier has continually avoided creative stagnation and genre-pigeonholing. The band has progressed from abrasive musings on juvenile malaise (2011's It Never Goes Out), to poignant vignettes of emotional turmoil (Home). With Goodness, The Hotelier is however holding onto the immediacy and energy of their punk roots, just now seeks lite amidst perpetual frays with darkness.
Daniel Hickey

You Want It Darker - Leonard Cohen

In a strange plow of cosmic misfortune, echoing David Bowie'due south final bow, Leonard Cohen died this by November, merely days afterward releasing his fourteenth and final studio album. In many ways, Cohen's legacy demands that he exist given renown as the foremost pioneer of metered, melancholy, meditation-songs. His deep baritone vocalism, his deep yearning for love, and his never-ending wrestling match with God and spirituality were abiding hallmarks of his music. This year's anthology, in particular, You Want Information technology Darker, is about many things, but primarily, the vocaliser's human relationship and reconciliation with the fact of his impending death. Equally he feels his life coming to a close, he attempts to brand deals (or, treaties) with those that he loves and fifty-fifty with God himself, though he knows he cannot escape death. As fans of Cohen know to expect, the anthology is plodding and poetic, a beautiful cheerio to a life and legacy.
Mike Lentz

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Source: https://calvin.edu/publication/article/2016/12/06/top-albums-of-2016

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